Lily Reviews "Murder on the Orient Express"

Darkness falls, a young girl screams, and the whistle of a departing train blows, setting the mood for Agatha Christie’s most infamous work: Muder on the Orient Express. In this perplexing mystery, a man is found murdered in his compartment on a luxury train headed to Belgrade. A myriad of suspects are at hand, from an imperious Russian princess to a demure English governess to a pious Swede. When the train is stopped by a snowdrift, it is up to Europe’s renowned detective, Hercule Poirot, to crack the case. But who among the passengers could have the means or the motive to commit such a crime? Poirot has only 2 days before the police arrive. And everyone seems to have an alibi . . .



Easily one of the best shows to be performed on the Yorkshire stage, Murder on the Orient Express, by Tony-nominated playwright Ken Ludwig contains an elaborate set and a talented cast of colorful characters. From the moment you lay eyes on the stage, you feel a thrill of excitement at the thought of a dark tale unfolding on such a quaint, elegant scene. Three train compartments with cherry red walls, wood paneling, and sliding doors sit upstage on a raised platform. Below are tables and chairs that serve as both cafe and dining car. Snow-covered windows line the compartment’s adjoining hallway, and a view of the train’s caboose balcony is set stage left. Seen as a whole, it’s as if the stage itself lies under a mask of calm, keeping secret what will occur with a classy 1930’s guise.


The actors in this production are perfectly cast for their roles, displaying a range of accents and very strong characterization. Humorous characters like the all-American Mrs. Hubbard and Monsieur Bouc, the flamboyant Frenchman, make you laugh from the moment they walk onstage. Missionary Greta Ohlsson and the Princess Dragomiroff make for a dynamic duo, one always calm and collected, the other a perpetual ball of nerves. 



Last but certainly not least, Hercule Poirot, the starring role, exudes a distinguished, cool air, with a mind as sharp as a tack, anchoring the plot with assertive analytical genius.



This play truly does Christie’s novel justice. Full of suspense and unexpected twists and turns, it will keep you on the edge of your seat from beginning to end; it brings to light the ultimate question: When is justice truly served?



Book your tickets (er, theater, not train) for

February 11 and 17-18 at 7:30 p.m., and February 12-13, 20 at 2 p.m.

All aboard!